In The Story, Which Is Only A

I Think People Are People And, If Their Feelings Are Truthful, They Can Connect. It Doesn't Matter If You're An Aging, 50-something Wrestler At The End Of His Career, Or An Ambitious, 20-something Ballet Dancer.

At The End Of Requiem All I Wanted To Do Was Get A Dv Camera And Just Do A Small Film. But Then The Hunger Comes Back.

I Was Always Writing About The Connection Between Man And Nature. I Grew Up In A Neighborhood That Was Right On The Beach, But The Beach Was Not Like A Beach You Would Imagine - There Was A Lot Of Pollution. And The Most Magical Thing To Me As A Kid Was Sea Glass, So I Wrote About That A Lot.

As Filmmakers, We Can Show Where A Person's Mind Goes, As Opposed To Theater, Which Is More To Sit Back And Watch It.

Unfortunately, When You're Working In Film, It's This Huge Machine, And You've Got To Get Everyone Right There, So You Get Kind Of Locked Into Things. I'm Not Sure Where The Artistry In Film Making Is. It's Usually That Moment When You're On Set And You're Working With The Actors. That's The Time To Play Around, The Moment Of Theater. And Then You Can Shape Things. But A Lot Of It Is Just Managing Stuff. It's Upsetting Because You Get Away From The Core.