I Think Video Games And That Stuff

I've Always Wanted To Introduce Hip-hop Filmmaking To Film. There's Hip-hop Art, Dance, Music, But There Really Isn't Hip-hop Film. So I Was Trying To Do That.

I Remember The Few Times That Happened To Me In Writing, Where You Basically Start Writing And You Look At The Clock And Six Hours Have Gone By And You're, Like, "whoa! What The Hell Just Happened?" And That Piece Ends Up In The Final Product Even Though The Final Product Is Three Years Away. It Doesn't Get Rewritten. It Came Out The Right Way. But That's Happened To Me So Few Times In My Life.

But Steady-cams Are Very Different Than Hand-helds, Because Hand-held Gives You That Verite Feel.

For Too Long We Have Been Taking, And The Earth Has Been Giving. But That Free-for-all, That All-you-can-eat Buffet, It's Over. The Salad Bar Is Closed.

You Hear Stories About Directors Using Manipulation To Get Actors To Do Certain Things, But I Think When You're Working With Professional Actors, It's All About Trust. They Can Do Anything You Want, It's Just A Matter Of Them Understanding What You're Looking For, And The Reason Why.