I've Spent A Life Loving Women And

Unfortunately, When You're Working In Film, It's This Huge Machine, And You've Got To Get Everyone Right There, So You Get Kind Of Locked Into Things. I'm Not Sure Where The Artistry In Film Making Is. It's Usually That Moment When You're On Set And You're Working With The Actors. That's The Time To Play Around, The Moment Of Theater. And Then You Can Shape Things. But A Lot Of It Is Just Managing Stuff. It's Upsetting Because You Get Away From The Core.

Film Is A Great Tool To Play With Time, Going Back And Forth Through Time, Or Speeding Time Up And Slowing It Down And Do Stuff Like That. That's Something You Can't Experience In Real Life That You Can Experience On Film, And It Takes You To A Different Place.

My Hope Is That I'm Going To Continue To Make More And More Challenging Work That's Going To Come Out More And More Interesting. I Don't Know If That Will Always Continue To Happen, But Every One Of My Films Has Definitely Been A Progression As Far As Complexity Of Narrative, Character, And Plot.

I'm Godless. And So I've Had To Make My God, And My God Is Narrative Filmmaking, Which Is -- Ultimately What My God Becomes, Which Is What My Mantra Becomes, Is The Theme.

I Only Want To Work With Actors That Really Get It And Make It Work. I Didn't Want It To Be A Star-driven Thing Anymore.