By All Means Break The Rules, And

Typographic Style Is Founded Not On Any One Technology Of Typesetting Or Printing, But On The Primitive Yet Subtle Craft Of Writing.

I Think Of Something Quite Different From A Snapshot. I Know Of A Lot Of Poems, Some Very Fine Ones, That Are Like Snapshots, But I'm More Interested In Poetry That Is Like An Endless Film, Long Stories, Things That Weave Together Many Different Strands, Like A Big Piece Of Cloth, Not Like A Photograph.

Typography At Its Best Is A Visual Form Of Language Linking Timelessness And Time.

My Own View Is That Violence Is A Part Of Classical Haida Literature - And Of Every Mythology Everywhere, So Far As I Can Tell - Because It's Part Of Life Itself. In The World Of The Hamburger Stand And The Supermarket, Or The Vegan Café And The Ashram, You Might Try To Tell Yourself It's Possible To Be Nonviolent. In A Hunting And Gathering Society, Violence Is More Difficult To Hide.

Essay On Adam" There Are Five Possibilities. One: Adam Fell. Two: He Was Pushed. Three: He Jumped. Four: He Only Looked Over The Edge, And One Look Silenced Him. Five: Nothing Worth Mentioning Happened To Adam. The First, That He Fell, Is Too Simple. The Fourth, Fear, We Have Tried And Found Useless. The Fifth, Nothing Happened, Is Dull. The Choice Is Between: He Jumped Or Was Pushed. And The Difference Between These Is Only An Issue Of Whether The Demons Work From The Inside Out Or From The Outside In: The One Theological Question.