You Don't Study Photography. You Do It.

I Don't Think You Can Create Luck. You're Either Lucky Or You're Not. I Don't Know If It's Really Luck Or If It's Just Curiosity. I Think The Main Ingredient, Or A Main Ingredient For Photography Is Curiosity. If You're Curious Enough And If You Get Up In The Morning And Go Out And Take Pictures, You're Likely To Be More Lucky Than If You Just Stay At Home.

I'm Almost Violent About That Stuff - Electronic Manipulation Of Pictures. I Think It's An Abomination. I Reject It All. I Mean, It's Ok For Selling Corn Flakes Or Automobiles Or For Taking Pimples Out Of Elizabeth Taylor's Face, But It Undermines The Thing That Photography Is About, Which Is About Observation And Not About Manipulation Of Images.

Everybody's Got To Do Something... I'd Been On My Own Since An Early Age And I Thought I Better Find Something To Do To Buy Biscuits And Stuff. From High School Onwards I Was Earning My Way With Photography, One Way Or Another, Working In Darkrooms And Taking Pictures Of Weddings, Neighbors' Children And So On.

Quality Doesn't Mean Deep Blacks And Whatever Tonal Range. That's Not Quality, That's A Kind Of Quality. The Pictures Of Robert Frank Might Strike Someone As Being Sloppy-the Tone Range Isn't Right And Things Like That-but They're Far Superior To The Pictures Of Ansel Adams With Regard To Quality, Because The Quality Of Ansel Adams, If I May Say So, Is Essentially The Quality Of A Postcard. But The Quality Of Robert Frank Is A Quality That Has Something To Do With What He's Doing, What His Mind Is. It's Not Balancing Out The Sky To The Sand And So Forth. It's Got To Do With Intention.

Balance Of Light Is The Problem, Not The Amount. Balance Between Shadows And Highlights Determines Where The Emphasis Goes In The Picture...make Sure The Major Light In A Picture Falls At Right Angles To The Camera.