Work Grows Out Of Other Work, And

One Does Afford Oneself The Luxury To Come Into The Studio And All Day, Every Day, Spend One's Life Making Aesthetic Propositions. What An Immense Luxury

What One Does In The Studio Is To Pose A Series Of Problems To Oneself. I've Got To Look For Some Deeper Meaning, For Some Reason For This Thing To Be In The World. There's Enough Stuff In The World.

One Of The Great Currents In The Contemporary Experience Of Art Is That It Seems To Come Out Of The Experience Of The Author.

I've Always Felt That If One Was Going To Take Seriously This Vocation As An Artist, You Have To Get Beyond That Decorative Facade

I Feel The Symbolic World Is The Nub Of A Problem For An Artist