Why We Are Here Is An Impenetrable

Writing Has Got To Be An Act Of Discovery. Finding Out Things About What One Is Writing About.

Audiences And, To A Large Extent, Critics Who Want Less From Theater Than It Is Possible For It To Give. If Everybody's Encouraged To Want Less, You'll End Up With Less.

Within A Year After I Write A Play I Forget The Experience Of Having Written It. And I Couldn't Revise Or Rewrite It If I Wanted To. Up Until That Point, I'm So Involved With The Experience Of Having Written The Play, And The Nature Of It, That I Can't See What Faults It Might Have. The Only Moment Of Clear Objectivity That I Can Find Is At The Moment Of Critical Heat - Of Self-critical Heat When I'm Actually Writing.

The Avant-garde Theater Is Fun; It Is Free-wheeling, Bold, Iconoclastic, And Often Wildly, Wildly Funny. If You Will Approach It With Childlike Innocence -- Putting Your Standard Responses Aside, For They Do Not Apply -- If You Will Approach It On Its Own Terms, I Think You Will Be In For A Liberating Surprise. I Think You May No Longer Be Content With Plays That You Can't Remember Halfway Down The Block.

The Notion That Women Are Less Aesthetically Profound And Innovative Than Men--just Not Very Important, If You Know What I Mean--doubtless Spreads Back To Our Beginnings As Upright Animals: The Males Hunted And Killed For The Family While The Females Stayed Home In The Cave And Tended The Strange Little Creatures They Were Giving Birth To.