Audiences And, To A Large Extent, Critics

You Gotta Have Swine To Show You Where The Truffles Are.

When I Was Fifteen I Wrote Seven Hundred Pages Of An Incredibly Bad Novel - It's A Very Funny Book I Still Like A Lot. Then, When I Was Nineteen I Wrote A Couple Hundred Pages Of Another Novel, Which Wasn't Very Good Either. I Was Still Determined To Be A Writer. And Since I Was A Writer, And Here I Was Twenty-nine Years Old And I Wasn't A Very Good Poet And I Wasn't A Very Good Novelist, I Thought I Would Try Writing A Play, Which Seems To Have Worked Out A Little Better.

I Discover That I Am Thinking About A Play, Which Is The First Awareness I Have That A New Play Is Forming. When I'm Aware Of The Play Forming In My Head, It's Already At A Certain Degree In Development.

The Act Of Writing Is An Act Of Optimism. You Would Not Take The Trouble To Do It If You Felt That It Didn't Matter.

The Playwright, Along With Any Writer, Composer, Painter In This Society, Has Got To Have A Terribly Private View Of His Own Value, Of His Own Work. He's Got To Listen To His Own Voice Primarily. He's Got To Watch Out For Fads, For What Might Be Called The Critical Aesthetics.