That's The Happiest Moment. When It's All

You're Alive Only Once, As Far As We Know, And What Could Be Worse Than Getting To The End Of Your Life And Realizing You Hadn't Lived It?

What Happens In A Play Is Determined To A Certain Extent By What I Thought Might Be Interesting To Have Happen Before I Invented The Characters, Before They Started Taking Over What Happened, Because They Are Three-dimensional Individuals, And I Cannot Tell Them What To Do. Once I Give Them Their Identity And Their Nature, They Start Writing The Play.

Any Definition Which Limits Us Is Deplorable.

Curiously Enough, The Only Two Plays That I've Done Very Much Revision On Were The Two Adaptations - Even Though The Shape Of Them Was Pretty Much Determined By The Original Work. With My Own Plays, The Only Changes, Aside From Taking A Speech Out Here, Putting One In There (if I Thought I Dwelled On A Point A Little Too Long Or Didn't Make It Explicit Enough), Are Very Minor; But Even Though They're Very Minor - Having To Do With The Inability Of Actors Or The Unwillingness Of The Director To Go Along With Me - I've Always Regretted Them.

If You Want A Commercial Success - It's The Confusion Of Commerce With Art. A Successful Play Is Not Considered To Be The Best Written. It Is The One That Sells The Most Tickets. Those Standards Are Destructive [to Theatre].