When You Do Not Know What You

Model. Two Mobile Eyes In A Mobile Head, Itself On A Mobile Body.

The Eye Solicited Alone Makes The Ear Impatient, The Ear Solicited Alone Makes The Eye Impatient. Use These Impatiences. Power Of The Cinematographer Who Appeals To The Two Senses In A Governable Way. Against The Tactics Of Speed, Of Noise, Set Tactics Of Slowness, Of Silence.

The Most Ordinary Word, When Put Into Place, Suddenly Acquires Brilliance. That Is The Brilliance With Which Your Images Must Shine.

Catch Instants. Spontaneity, Freshness.

Films Can Only Be Made By By-passing The Will Of Those Who Appear In Them, Using Not What They Do, But What They Are.