What's So Great About Working With Really

What I Do As A Director Is Really Create A Safe Environment That Everyone Can Feel Very Comfortable In And Experiment Within So That They Don't Hold Back Anything. You Never Ever Want Someone To Go, 'oh I Shouldn't Have Done That.' There Isn't Anything You Shouldn't Try. If It's Terrible, Who Cares?

One Of The Biggest Things You Have Is Your Reputation And Your Reputation With Knowing What's Good And What's Not Good.

I Really Put My Heart And Soul Into Everything And I Don't Want A Project That Doesn't Feel Real To Me Or I Don't Get Invested In. In Order To Drive A Show For Eight Or 10 Years Or Whatever The Target For Doing A Show Is, It Really Has To Be A Part Of You. Because Then I Can Come Up With Stories For Seasons And Seasons On End. I Wish I Had The Ability To Just Like The Idea And Get People In And Drive It That Way Through Their Enthusiasm. For Me, It Has To Be A Little More Of A Personal Thing, Even If It's Not A Completely Personal Story.

Hollywood Is A Business And Movie Studios Are Only Going To Do What's Going To Make Money. It's Not An Altruistic Thing. They Are Blatant Grabs For Money. Responsible Studios Want To Make Quality Pictures, But At The Same Time Nobody Is Going To Make Quality Pictures They Know Aren't Going To Make Any Money.

I'm Not A Painter Who's Saying, "i Want People To See My Work When I Die; It Will Be This And That." That's Not Satisfying To Me.