Typically I See It With Photographers Who

When Assignments Were Over, Photography Continued. One Of The Primary Reasons It Did Was That I Wanted And Needed To Have Fresh Work. Also, It's Very Stimulating To Be Around Non-professional Photographers. They're The Ones With The Purest Flame Burning About Their Photography. I Appreciate That.

And That Desire-the Strong Desire To Take Pictures-is Important. It Borders On A Need, Based On A Habit: The Habit Of Seeing. Whether Working Or Not, Photographers Are Looking, Seeing, And Thinking About What They See, A Habit That Is Both A Pleasure And A Problem, For We Seldom Capture In A Single Photograph The Full Expression Of What We See And Feel. It Is The Hope That We Might Express Ourselves Fully-and The Evidence That Other Photographers Have Done So-that Keep Us Taking Pictures.

Typically I See It With Photographers Who Go To A Place Like India Or Nepal, And Everything's So Colorful And Exotic And They Think, Therefore, A Picture's Been Taken.

I Started Teaching In '76 And I'd Been A Photographer At The Geographic For Six Years. But Prior To Being At The Geographic I Was A Teacher. Plus My Parents Were Teachers And My Brother And My Grandparents. So It Was The Culture Of Our Family To Think About Teaching, To Talk About Teaching, To Talk About Teachers.

The Thing With My Workshops Is, Photography Is A Thoughtful Process. In An Atmosphere Of Fast Photography, And Generally Thoughtless, Quick, Automatic Photography, I Think That There Is An Interest In The Slowed Down, Thoughtful Approach.