My Best Work Is Often Almost Unconscious

When I First Went To 'national Geographic,' I Thought I Was The Least Qualified Person To Step Through The Doors. But Because Of My Parents And The Culture Of Continual Learning They Imposed On Us, I Later Came To Believe I Was The Most Qualified Person Who Ever Worked There.

As I Have Practiced It, Photography Produces Pleasure By Simplicity. I See Something Special And Show It To The Camera. A Picture Is Produced. The Moment Is Held Until Someone Sees It. Then It Is Theirs.

People Say To Me, "who's Your Favorite Kind Of Photographer?" Or "who Would Be Your Favorite Photographer To Have In A Workshop?" And I Always Say, "my Dad."

I Have This Awareness That The More Dynamic The Situation Is, The More On Guard I Need To Be That The Dynamic Isn't Controlling The Situation. I Found That Myself In The Galapagos. For The First Time In My Life I Was Around Very Exotic Animals, Colorful, Beautiful, And Immediately Present, All Around. Birds, Turtles, Iguanas, Seals. I Was Being Seduced By Their Exoticism, I Was Taking Pictures.the Pictures Weren't Well Lit, There Was No Moment In Play, There Was No Depth To The Pictures. I Was Just Gawking With My Camera At Something I'd Never Seen Before.

I Did It Once, And National Geographic Recruited Me. I Did It Primarily Out Of Curiosity. A Lot Of Legendary Photographers Had Worked On That Campaign. Ernst Haas Had Done The Early Photography, And I Knew Him. There's A Lore In Photography About That Campaign, And I Was Curious.