To Work With A Director That Has

Everything Is Transient. Everything Is Constantly Changing. The Only Thing We Have Is Now.

I Went To The University Of Minnesota To Study Art. I Left The University To Come To New York And Live In Soho. I Got Involved With Like A Small Kind Of Like Experimental Theater-mime Company And We Discovered That Étienne Decroux, A Great Mime, Was Still Teaching In Paris So I Went To Study With Him For Several Years.

Yes, And You Should Question Your Government.

I Never Shot On Sets, But If I Was Traveling Somewhere Or On Location, I Would Always Have My Camera, And I'd Always Be - It's That Kind Of Fly On The Wall Approach To Photography, Though. I Don't Engage The Subject. I Like To Sneak Around, Skulk About In The Dark.

Usually, You Get A Script And You Have The Whole Story. All The Acts Are There, For A Play. You Know What Happens In The First, Second And Third Acts, And You Know How It Starts, Where You Go And Where It Finishes. [with American Horror Story: Asylum], It's A Whole New Experience. I Don't Know Where It's Going, And I Don't Know What's Going To Happen Next. It's Been An Interesting Way To Work. It's Made Me Work In A Much More Fluid, Braver Way, Just Taking Every Chance That Comes Along.