To Live One's Love And Hatred, To

This Society Turns Everything It Touches Into A Potential Source Of Progress And Exploitation, Of Drudgery And Satisfaction, Of Freedom And Of Oppression.

[art] Can Speak Its Own Language Only As Long As The Images Are Alive Which Refuse And Refute The Established Order.

In The Form Of The Oeuvre, The Actual Circumstances Are Placed In Another Dimension Where The Given Reality Shows Itself As That Which It Is. Thus It Tells The Truth About Itself; Its Language Ceases To Be That Of Deception, Ignorance, And Submission. Fiction Calls The Facts By Their Name And Their Reign Collapses; Fiction Subverts Everyday Experience And Shows It To Be Mutilated And False.

Ideas, Aspirations, And Objectives That, By Their Content, Transcend The Established Universe Of Discourse And Action Are Either Repelled Or Reduced To Terms Of This Universe.

At The Classical Origins Of Philosophic Thought, The Transcending Concepts Remained Committed To The Prevailing Separation Between Intellectual And Manual Labor To The Established Society Of Enslavement. ... Those Who Bore The Brunt Of The Untrue Reality And Who, Therefore, Seemed To Be Most In Need Of Attaining Its Subversion Were Not The Concern Of Philosophy. It Abstracted From Them And Continued To Abstract From Them.