There's Something Nice About Making A Night

To Act With A Tennis Ball And Imagine It's A Tentacle, Or If You're In Some Kind Of Wilderness Film And You Go, 'okay, We Can't Have A Grizzly Bear Here, But Imagine When You Step Over The Rock There There's A Grizzly Bear.' I Don't Know. They're Tough Moments.

I'm Really Good At Judging And Observing Other People, But Not Myself.

The Biggest Difference For Me Is Momentum. On A Smaller Film You Get To Shoot Sometimes Four Or Five Scenes A Day And You've Got To Do The Tight Schedule. I Think I Really Feel The Luxuries Of A Big Budget Film.

The Tricky Thing Becomes: Do You Know Yourself Well Enough To Then Portray That On Screen? And For Me, I Find That Really Hard. I'd Rather Hide Behind Accents And Funny Walks.

At Some Point, You Have To Disconnect, If The Obsession With Playing A Real Person Gets In The Way Of The Movie At Large. At The Same Time, We're All Interested, As Actors In Trying To Get As Close To The Real Thing As We Can, And Whatever You Can Do In Order To Create That Transformation Feels Fun And, For Me, The Furthest I Can Get Away From Myself Is Fun. It's All Part Of The Costume, The Accent, And All That Stuff. It's About Trying To Get Close Without It Being A Detriment To The Point Of View Of The Story That You're Trying To Tell.