There's A Constant Drip And Trickle Of

I Think The Camera Has Got To Be Motivated. You Can't Have Things Arrived At Gratuitously. Everything Has To Have An Organic Function, But The More Comfortable I've Become And The More Imaginative And Sophisticated And The More Exploratory I've Become At The Medium, The More I've Subtly Deviated Away From That In Various Ways.

I Think It’s Important That Nobody Forgets That Although Hollywood Commercially Dominates The World Cinema, In Fact What Comes Out Of The Filmmaking Here Is Only A Tiny Slice Out Of The Massive Amount Of Operation That Goes On Around The World.

There Is A Great Tradition Of Independent Filmmaking In The U.s. That I Absolutely Respect. There's Some Wonderful Stuff That Comes Out In This Country Against All The Odds.

You Will Find Hardly Any Improvising On Camera Anywhere In My Films. It's Very Structured, But It's All Worked Out From Elaborate Improvisations Over A Long Period, As You Know.

I Wonder If I Would Have Been Capable Of Producing Anything If I Worked In A More Conventional Way With A Prewritten Script, Because I'm Of The Procrastinator Class.