There Is Chaos Behind The Civility, Of

True, I Don't Begin With An Idea For A Play - A Thesis, In Other Words, To Construct The Play Around. But I Know A Good Deal About The Nature Of The Characters. I Know A Great Deal About Their Environment. And I More Or Less Know What Is Going To Happen In The Play.

I Do Not Invent Characters. There They Are. That's Who They Are. That's Their Nature. They Talk And They Behave The Way They Want To Behave. I Don't Have A Character Behaving One Way, Then A Point Comes In The Play Where The Person Has To Either Stay Or Leave. If I Had It Plotted That The Person Leaves, Then The Person Leaves. If That's What The Person Wants To Do. I Let The Person Do What The Person Wants Or Has To Do At The Time Of The Event.

When I'm Writing A Play I Hear It Like Music. I Use The Same Indications That A Composer Does For Duration. There's A Difference, I Tell My Students, Between A Semi-colon And A Period. A Difference In Duration. And We Have All These Wonderful Things, We Use Commas And Underlining And All The Wonderful Punctuation Things We Can Use In The Same Way A Composer Uses Them In Music. And We Can Indicate, As Specifically As A Composer, The Way We Want Our Piece To Sound.

It's The Function Of A Playwright To Write. Some Playwrights Write A Large Number Of Plays, Some Write A Small Number.

I Suppose If You Simplify Things, It's Going To Make It Easier To Understand.