The Whole Chameleon Thing About Acting. That's

Not A Day Goes By Where I'm Not Reminded Of Gollum By Some Person In The Street Who Asks Me To Do His Voice Or Wants To Talk To Me About Him. But Because 'the Hobbit' Has Been Talked About As A Project For Many Years, I Knew That At Some Point I'd Have To Reengage With Him.

I Play Saxophone, I Play Tenor Sax.

After 'kong,' My Knuckles Have Never Recovered Because I Had To Wear Very Heavy Weights On My Forearms And Around My Hips And Ankles To Get The Sense Of Size And Scale Of The Movement Of The Character You Are Telling Your Body That You Are These Things And That You're Feeling These Thoughts And That You're Experiencing These Experiences.

When You Start To Do Research Into Gorillas Or Any Kind Of Apes, If You're Going To Play Them, That's One Of The Biggest Misconceptions. And When I Did Kong, You're Not Doing Gorilla Movements, You're Not Doing Ape Movements, You're Looking For A Personality. It's Like Saying Okay I'm Going To Do Human Movements.

What I'm Saying Is People Like Hoodwink Are Not Kind Of Evil Villains, They're Part Of Humanity. We Can Choose To Disassociate Ourselves From Them And We Can Choose To Pretend They're Not There, But They Are. We're All Together In This.