The Motive Of Fear Is The Be-all

A Man May Be A Fool And Not Know It, But Not If He Is Married.

The Puritan, Of Course, Is Not Entirely Devoid Of Aesthetic Feeling. He Has A Taste For Good Form; He Responds To Style; He Is Even Capable Of Something Approaching A Purely Aesthetic Emotion. But He Fears This Aesthetic Emotion As An Insinuating Distraction From His Chief Business In Life: The Sober Consideration Of The All-important Problem Of Conduct. Art Is A Temptation, A Seduction, A Lorelei, And The Good Man May Safely Have Traffic With It When It Is Broken To Moral Uses--in Other Words, When Its Innocence Is Pumped Out Of It, And It Is Purged Of Gusto.

He Marries Best Who Puts It Off Until It Is Too Late.

All Government, In Its Essence, Is A Conspiracy Against The Superior Man: Its One Permanent Object Is To Oppress Him And Cripple Him.

Some Immemorial Imbecilities Have Been Added Deliberately, On The Ground That It Is Just As Interesting To Note How Foolish Men Have Been As To Note How Wise They Have Been.