Our Quarrels With The World Are Like

How Can We Expect Novelists To Be Moral, When Their Trade Forces Them To Treat Every End They Meet As No More Than An Imperfect Means To A Novel?

When You Begin To Read A Poem You Are Entering A Foreign Country Whose Laws And Language And Life Are A Kind Of Translation Of Your Own; But To Accept It Because Its Stews Taste Exactly Like Your Old Mother's Hash, Or To Reject It Because The Owl-headed Goddess Of Wisdom In Its Temple Is Fatter Than The Statue Of Liberty, Is An Equal Mark Of That Want Of Imagination, That Inaccessibility To Experience, Of Which Each Of Us Who Dies A Natural Death Will Die.

Except From The Americans—but Every Pearl Has Its Oyster.

Nowadays When A Poet With One Privately Printed Book Can Have His Next Three Years Taken Care Of By A Guggenheim Fellowship, A Kenyon Review Fellowship, And The Prix De Rome, It Is Hard To Remember What Chances The Poet Took In That Small-town World, How Precariously Hand-to-mouth His Existence Was. And Yet In One Way The Old Days Were Better; [vachel] Lindsay After A While, By Luck And Skill, Got Far More Readers Than Any Poet Could Get Today.

An Author Frequently Chooses Solemn Or Overwhelming Subjects To Write About; He Is So Impressed At Writing About Life And Death That He Does Not Notice That He Is Saying Nothing Of The Slightest Importance About Either.