Musical Beds Is The Faculty Sport Around

You Find Very Few Critics Who Approach Their Job With A Combination Of Information And Enthusiasm And Humility That Makes For A Good Critic. But There Is Nothing Wrong With Critics As Long As People Don't Pay Any Attention To Them. I Mean, Nobody Wants To Put Them Out Of A Job And A Good Critic Is Not Necessarily A Dead Critic. It's Just That People Take What A Critic Says As A Fact Rather Than An Opinion, And You Have To Know Whether The Opinion Of The Critic Is Informed Or Uninformed, Intelligent Of Stupid -- But Most People Don't Take The Trouble.

Everybody Wants To Go See The Big Hit [at The Theatre]. Not Because It's Any Good. Because It's The Big Hit And Everybody Wants To Be Able To Talk About The Big Hit.

I'm Back In Fashion Again For A While Now. But I Imagine That Three Or Four Years From Now I'll Be Out Again. And In Another Fifteen Years I'll Be Back. If You Try To Write To Stay In Fashion, If You Try To Write To Be The Critics' Darling, You Become An Employee.

What I Wanted To Get At Is The Value Difference Between Pornographic Playing-cards When You're A Kid, And Pornographic Playing-cards When You're Older. It's That When You're A Kid You Use The Cards As A Substitute For A Real Experience, And When You're Older You Use Real Experience As A Substitute For The Fantasy.

When One Controls Form, One Doesn't Do It With A Stopwatch Or A Graph. One Does It By Sensing, Again Intuitively.