Musical Beds Is The Faculty Sport Around

I Discover That I Am Thinking About A Play, Which Is The First Awareness I Have That A New Play Is Forming. When I'm Aware Of The Play Forming In My Head, It's Already At A Certain Degree In Development.

When A Critic Sets Himself Up As An Arbiter Of Morality, A Judge Of The Matter And Not The Manner Of A Work, He Is No Longer A Critic; He Is A Censor.

I Was Twenty-nine Years Old And I Wasn't A Very Good Poet And I Wasn't A Very Good Novelist, [so] I Thought I Would Try Writing A Play, Which Seems To Have Worked Out A Little Better.

I Don't Set Out To Write A Play A Year. Sometimes I've Written Two Plays A Year. There Was A Period Of A Year And Half When I Only Wrote Half A Play. If It Depresses Some Critics That I Seem Prolific, Well, That's Their Problem As Much As Mine.

I Do Think, Or Rather I Sense That There Is A Relationship - At Least In My Own Work - Between A Dramatic Structure, The Form And Sound And Shape Of A Play, And The Equivalent Structure In Music. Both Deal With Sound, Of Course, And Also With Idea, Theme.