Everybody Wants To Go See The Big

The Characters' Lives Have Gone On Before The Moment You Chose To Have The Action Of The Play Begin. And Their Lives Are Going To Go On After You Have Lowered The Final Curtain On The Play, Unless You've Killed Them Off.

I Find That In The Course Of The Day When I'm Writing, After Three Or Four Hours Of Intense Work, I Have A Splitting Headache, And I Have To Stop. Because The Involvement, Which Is Both Creative And Self-critical, Is So Intense That I've Got To Stop Doing It.

If The Playwright Is Strong Enough To Hold On To Reasonable Objectivity In The Face Of Either Hostility Or Praise, He'll Do His Work The Way He Was Going To Anyway.

There Are Two Things That A Playwright Can Have. Success Or Failure. I Imagine There Are Dangers In Both. Certainly The Danger Of Being Faced With Indifference Or Hostility Is Discouraging, And It May Be That Success - Acceptance If It's Too Quick, Too Lightning-quick - Can Turn The Heads Of Some People.

The Government Is Far More Interested In Taking, In Regulated Taking, Than In Promoting Spontaneous Generosity.