Making A Martial Arts Film In English

San Francisco Is One Of My Favourite Cities In The World...i Would Probably Rank It At The Top Or Near The Top. It's Small But Photogenic And Has Layers...you Never Have Problems Finding Great Angles That People Have Never Done.

So Anything That's Not Absolutely Needed, We Would Cut It [footage] Out, Which Would Make Me Very Insecure; Everything Has To Work, And It's A Water Movie In 3d With A Kid, Animals. So The More I Do That, The More I'm Scared Of "what If It Doesn't Go The Way We Want It?" But We Had To Do That To Meet The Budget, Otherwise We Wouldn't Even Have A Start-date.

There's A Certain Time In The Core Of Making A Movie From Pre-production To Halfway Through Post-production I Don't Read Any Project, My Agent Will Tell People That "he's Not Reading." And Then When I Know How The Movie's Probably Gonna Work Halfway Into Post-production, I'll Come Along.

The Most Mysterious Feminine Factor, The Existence That We Men, We Don't Know. It's Woman. It's Feminine. That's What The Sword Is About. That's The Symbolic Meaning Of The Sword.

Things That Don't Have A Big Impact Seem To Be Crucial. Always When You Go Out To Make A Movie You Have Questions, "what If This Doesn't Work? What If That Doesn't Work?" You Want To Cover Yourself, You Want To Bring Back Enough [footage] So You Can Do Something.