Literature Is The Question Minus The Answer.

New York... Is A City Of Geometric Heights, A Petrified Desert Of Grids And Lattices, An Inferno Of Greenish Abstraction Under A Flat Sky, A Real Metropolis From Which Man Is Absent By His Very Accumulation.

To Hide A Passion Totally (or Even To Hide, More Simply, Its Excess) Is Inconceivable: Not Because The Human Subject Is Too Weak, But Because Passion Is In Essence Made To Be Seen: The Hiding Must Be Seen: I Want You To Know That I Am Hiding Something From You, That Is The Active Paradox I Must Resolve: At One And The Same Time It Must Be Known And Not Known: I Want You To Know That I Don't Want To Show My Feelings: That Is The Message I Address To The Other.

One Day, Quite Some Time Ago, I Happened On A Photograph Of Napoleon’s Youngest Brother, Jerome, Taken In 1852. And I Realized Then, With An Amazement I Have Not Been Able To Lessen Since: ‘i Am Looking At Eyes That Looked At The Emperor.’ Sometimes I Would Mention This Amazement, But Since No One Seemed To Share It, Nor Even To Understand It (life Consists Of These Little Touches Of Solitude), I Forgot About It.

I Passed Beyond The Unreality Of The Thing Represented, I Entered Crazily Into The Spectacle, Into The Image, Taking Into My Arms What Is Dead, What Is Going To Die.

A Paradox: The Same Century Invented History And Photography. But History Is A Memory Fabricated According To Positive Formulas, A Pure Intellectual Discourse Which Abolishes Mythic Time; And The Photograph Is A Certain But Fugitive Testimony.