Through The Mythology Of Einstein, The World

For The Photograph's Immobility Is Somehow The Result Of A Perverse Confusion Between Two Concepts: The Real And The Live: By Attesting That The Object Has Been Real, The Photograph Surreptitiously Induces Belief That It Is Alive, Because Of That Delusion Which Makes Us Attribute To Reality An Absolute Superior, Somehow Eternal Value; But By Shifting This Reality To The Past ("this-has-been"), The Photograph Suggests That It Is Already Dead.

The Incapacity To Name Is A Good Symptom Of Disturbance.

We Can Never Know, For The Good Reason That Writing Is The Destruction Of Every Voice, Every Origin. Writing Is That Neuter, That Composite, That Obliquity Into Which Our Subject Flees, The Black-and-white Where All Identity Is Lost, Beginning With The Very Identity Of The Body That Writes.

The Petit-bourgeois Is A Man Unable To Imagine The Other. If He Comes Face To Face With Him, He Blinds Himself, Ignores And Denies Him, Or Else Transforms Him Into Himself.

When We Look At A Photograph Of Ourselves Or Of Others, We Are Really Looking At The Return Of The Dead.