Keep Away From Fantasy. Shake Off The

In Many Of My Plays, There Was A Kind Of Autobiographical Character In The Form Of A Son Or Young Man. The Purpose Of It, Of Course, Was To Write About Myself. That Character Was Always The Least Fully Realized. Eighteen Years Later, You Realize, That's What He Was About.

I Like Cars. I Like Travel. I Like The Idea Of People Breaking Down And I'm The Only One Who Can Help Them Get On The Road Again. It Would Be Like Being A Magician. Just Open Up The Hood And Cast Your Magic Spell.

People Talk About The 1960s In A Nostalgic Way, But To Me It Was Terrifying. People Were Getting Assassinated. There Was Vietnam. There Were Race Riots. It Felt Like Everything Was Going To Get Blown Up Sky-high. It Didn’t Feel Like Flower Power. It Felt Like Armageddon.

When You're Looking For Someone, You're Looking For Some Aspect Of Yourself, Even If You Don't Know It ... What We're Searching For Is What We Lack.

The Fantastic Thing About The Theatre Is That It Can Make Something Be Seen That's Invisible, And That's Where My Interest In Theatre Is- That You Can Be Watching This Thing Happening With Actors And Costumes And Light And Set And Language, And Even Plot, And Something Emerges From Beyond That, And That's The Image Part That I'm Looking For, That Sort Of Added Dimension.