I've Walked Out Of Films. But For

If I'm Ever Working On A Set And Anyone Talks About A Master Shot, I Say There Is No Master Shot. Before I Even Went To Film School, I Learned About Movies By Being In A British Feature Film, Where Everything Was Shot Master Shot, Mid-shot, Close-up. But I Reject The Idea Of A Master Shot. You Don't Shoot Everything Mechanically; You Find Imaginative Ways That Serve The Action.

Films Are Made All Over The World All The Time And Only A Thin Slice Of That Product Is Hollywood.

Resolve Was Never Stronger Than In The Morning, After The Night, When It Was Never Weaker

I Grew Up Looking At... Going To The Movies A Lot, As Much As They'd Let You. I Grew Up In Manchester In The North Of England In The '40s And '50s. I Saw A Lot Of Movies. They Were All Hollywood And British Movies. I Didn't See A Film That Wasn't In English Until I Was 17 When I Went To London To Be A Student.

The Notion That Acting Is Simply About Intuitively Responding To Situations The Way You Feel Couldn't Be Farther Away From How I Ask Actors To Work.