But Films Should Be Voyeuristic. What Else

The Way An Actor Is Trained Doesn't Ultimately Have Much Bearing On My Work. I'm Interested In The Actor As Artist.

Film-makers Should Remain True To Their Principles And Never Compromise, There Is A Real Revival In The British Film Industry But There Is A Danger That We Will Become Colonial Servants Of Hollywood. We Need To Maintain Our Own Integrity.

My Job Apart From Anything Else Is To Build An Ensemble Composed Of Actors Who All Come From A Secure Place So That They Can All Work Together To Make The Film.

I Do Not Make Films Which Are Prescriptive, And I Do Not Make Films That Are Conclusive. You Do Not Walk Out Of My Films With A Clear Feeling About What Is Right And Wrong. They're Ambivalent. You Walk Away With Work To Do. My Films Are A Sort Of Investigation. They Ask Questions . . .. Sometimes I Hear That Some [hollywood] Studio Is Interested In Me. Then They Discover That This Is The Guy Who Works With No Script, That There Is No Casting Discussion, No Interference, That I Have The Final Cut, And That Does It.

I Try And Create For The Audience Something That Relates To Real-life Experience. When You're Meeting Somebody For The First Time, All You Have To Go On Are Your Preconceptions And Your Stereotypes And Whatever Else, But Gradually As You Get To Know Them, They Change. They Become More Three-dimensional, And You Start To See Them In Layers.