In Art, 'good Enough' Is Not Good

All Men Were Alien One To Another, At Times, Not Only Aliens.

A Panda Walks Into A Tea Room And Ordered A Salad And Ate It. Then It Pulled Out A Pistol, Shot The Man In The Next Table Dead, And Walked Out. Everyone Rushed After It, Shouting "stop! Stop! Why Did You Do That?" "becuase I Am A Panda," Said The Panda. "that's What Pandas Do. If You Don't Believe Me, Look In The Dictionary." So They Looked In The Dictionary And Sure Enough They Found Panda: Racoon-like Animal Of Asia. Eats Shoots And Leaves.

When I Was Young, I Had To Choose Between The Life Of Being And The Life Of Doing. And I Leapt At The Latter Like A Trout To A Fly. But Each Deed You Do, Each Act, Binds You To Itself And To Its Consequences, And Makes You Act Again And Yet Again. Then Very Seldom Do You Come Upon A Space, A Time Like This, Between Act And Act, When You May Stop And Simply Be. Or Wonder Who, After All, You Are.

When You Work In Form, Be It A Sonnet Or Villanelle Or Whatever, The Form Is There And You Have To Fill It. And You Have To Find How To Make That Form Say What You Want To Say. But What You Find, Always--i Think Any Poet Who's Worked In Form Will Agree With Me--is That The Form Leads You To What You Want To Say.

Fantasy Is Not Antirational, But Pararational; Not Realistic But Surrealistic, A Heightening Of Reality. In Freud's Terminology, It Employs Primary Not Secondary Process Thinking. It Employs Archetypes Which, As Jung Warned Us, Are Dangerous Things. Fantasy Is Nearer To Poetry, To Mysticism, And To Insanity Than Naturalistic Fiction Is. It Is A Wilderness, And Those Who Go There Should Not Feel Too Safe.