I'm Killing Time And It's Dying Hard.

Writers Who Get Written About Become Self-conscious. They Develop A Regrettable Habit Of Looking At Themselves Through The Eyes Of Other People. They Are No Longer Alone, They Have An Investment In Critical Praise, And They Think They Must Protect It. This Leads To A Diffusion Of Effort. The Writer Watches Himself As He Works. He Grows More Subtle And He Pays For It By Loss Of Organic Dash.

Throughout The History Of Commercial Life Nobody Has Ever Quite Liked The Commission Man. His Function Is Too Vague, His Presence Always Seems One Too Many, His Profit Looks Too Easy, And Even When You Admit That He Has A Necessary Function, You Feel That This Function Is, As It Were, A Personification Of Something That In An Ethical Society Would Not Need To Exist. If People Could Deal With One Another Honestly, They Would Not Need Agents.

Any Man Who Can Write A Page Of Living Prose Adds Something To Our Life, And The Man Who Can, As I Can, Is Surely The Last To Resent Someone Who Can Do It Even Better. An Artist Cannot Deny Art, Nor Would He Want To. A Lover Cannot Deny Love.

The Impulse To Perfection Cannot Exist Where The Definition Of Perfection Is The Arbitrary Decision Of Authority. That Which Is Born In Loneliness And From The Heart Cannot Be Defended Against The Judgment Of A Committee Of Sycophants. The Volatile Essences Which Make Literature Cannot Survive The Clichés Of A Long Series Of Story Conferences.

The Challenge Of Screenwriting Is To Say Much In Little And Then Take Half Of That Little Out And Still Preserve An Effect Of Leisure And Natural Movement