If You Understand How The Real World

Once The Image Was In The Digital Environment, One Of The Problems Was, We Had No Means To Reproduce The Color Spectrum, Grey Scale, And Contrast That Film Produces, Without Converting The Digital File To Film, Evaluating It, Then Going Back And Changing The Digital Image.

Because I Come From That Old-school Optics Environment, I Know Stuff About Depth Of Field And Camera Movement And Things That Are Not Necessarily A Part Of The Curriculum For People Who Started On A Box And Have Never Done Anything That Wasn't On A Box.

If You Can Imagine It, We Can Make It.

Human Beings Are Really Attuned To Their Senses. When You Work In Film, You Are Working With The Visual And Audio Senses. An Understanding Of Tactile And Other Components That Go Into The Creation Of Those Objects Are Important To Making Them Look Real On Screen, Like A Plasma Of Energy.

You Had To Make A Camera Look Like It's Traveling At 300 Mph, But You Couldn't Make It Actually Travel At 300 Mph So You Had To Slow Everything Down And Build Devices To Do That. So You Were Constantly Engineering.