If You Try To Make A Silent

There's Always Been A Struggle With Filmmakers Between Art And Industry, And You Have To Find A Balance

I Think The Writer Is Always The Creator, Because He's Starting With Nothing, But The Actor Comes In And Gives Flesh And Blood.

I Chose The American Ones, More Or Less The Last Five Years Of The Silent Era, Because Those Are The Ones That Aged The Best In The Way They Tell The Story. One, It's About Human Beings With Context. It's A Very Classical Story With Feelings, With Laughter, Melodrama And It Really Works, The Good Ones - Murnau's American Movies, John Ford's Four Sons, King Vidor's The Crowd, Or The (josef) Von Sternberg Movies. You Can Watch It Now And It Still Works. I Mean They Are Really, Really Good Pieces So This Is Where I Tried To Work.

Actually, I Met A Lot Of Directors And Most Of Them Have That Fantasy To Make A Silent Movie Because For Directors It's The Purest Way To Tell A Story. It's About Creating Images That Tell A Story And You Don't Need Dialogue For That.

There Are Two Kinds Of Audiences. There's The Ones Who Were In The Theaters, And The Ones Who Are Outside And We Want Them To Come Inside The Theater. And, It's Not The Same.