If Anything, I Was The Opposite Of

If I Were Less Lazy, When My Play Was Published, I Would Go And Rewrite Everything For The Reader. But I Don't Do That. What People Are Reading Is Just Me Trying To Get The Actors And Directors To Do Something Or Think About Something.

I Feel Like The Reason I Ended Up Becoming A Playwright Is Because I Never Choose The Right Word. As A Kid, My Fantasy Profession Was To Be A Novelist. But The Thing About Writing Prose - And Maybe Great Prose Writers Don't Feel This Way - But I Always Felt It Was About Choosing Words. I Was Always Like, "i Have To Choose The Perfect Word." And Then It Would Kill Me, And I Would Choose The Wrong Word Or I Would Choose Too Many Perfect Words - I Wrote Really Purple Prose.

There Are Certain Early Plays Of Mine That I Really Don't Like, But I Can't Imagine Going Back And Fixing Them. I Would Be Totally Incapable Of It. I'm Not In The Head Of The Characters Anymore.

I Was 22 And Stopped Writing Plays, And I Didn't Start Again Until I Was 25. I Was Writing Badly. In College, I Attempted To Write These More Conventional Plays, But The Theater I Loved Was Downtown Experimental Theater. I Didn't Feel Like I Could Do That Either. It Didn't Occur To Me To Do My Own Thing.

For Early Plays Of Mine, I Started With Character. But I Think That's Because I Hadn't Been In Theaters; I Hadn't Worked That Much. I'm Very Interested In Character, Obviously, But Once I Started Having My Plays Produced, I Became So Fascinated By The Theatrical Experiment And The Weirdness Of Theatrical Space, So Now All My Plays Start With Space And Stage Picture And Setting - Or Container Is Maybe The Better Way To Put It.