I Don't Enjoy Hearing The Sound Of

I Don't Enjoy Hearing The Sound Of My Voice. The Most Important Things For Me Are Impossible To Articulate Extemporaneously.

For Me, Being A Good Creative Writing Teacher Is Actually Kind Of Being A Good Therapist. The Line Is Very Porous - You Can Also Be A Creepy Guru/abusive Therapist, Too, So You Have To Be Very Careful. But It Feels Really Important To Me.

I Ended Up Becoming A Playwright Because You Can Be Grammatically Incorrect: People Speaking In Bad Poetry Or People Attempting To Speak Well And Sometimes Succeeding And Sometimes Failing. The Whole Imperfection Of It Suddenly Felt Freeing To Me.

I Feel Like There's An Obsession With Pace Right Now In Theater, With Things Being Very Fast And Very Witty And Very Loud, And I Think We're All So Freaked Out About Theater Keeping Audiences Interested Because Everybody's So Freaked Out About Theater Becoming Irrelevant.

For Me, On Every Project, I Realize That I've Boxed Myself Into A Corner, Or That The Play Necessitates Some Sort Of Theatrical Convention That I Realize I Hate While I'm Making It. So Then The Next Play Is Always A Rebellion. Or Like, The Thing I Didn't Even Realize I Was Doing Last Time I Will Make Sure I Don't Do This Time. But There's Always Some Other Blind Spot. And Then That Blind Spot Inspires The Play That Comes After.