I Would Like To Go To Antarctica.

[ My Time And Our Common Culture] It's What I'm Photographing, And I'm Very Involved With That.

Actually, Ambition Won't Get You That Far. You'll Shift Gears. You'll See Something That's Shinier. But If You Believe... Then You're The Long-distance Runner.

My Best Work Is Often Almost Unconscious And Occurs Ahead Of My Ability To Understand It.

Though Geographic Didn't Publish That Photo In The Story That It Was Done For, "the Life Of Charlie Russell," A Cowboy Artist In Montana. But Later, Maybe A Year And A Half Ago, They Named It One Of The 50 Greatest Pictures Ever Made At National Geographic.

And That Desire-the Strong Desire To Take Pictures-is Important. It Borders On A Need, Based On A Habit: The Habit Of Seeing. Whether Working Or Not, Photographers Are Looking, Seeing, And Thinking About What They See, A Habit That Is Both A Pleasure And A Problem, For We Seldom Capture In A Single Photograph The Full Expression Of What We See And Feel. It Is The Hope That We Might Express Ourselves Fully-and The Evidence That Other Photographers Have Done So-that Keep Us Taking Pictures.