I Think Of My Studio As A

The Spectacle Of The Sky Overwhelms Me. Im Overwhelmed When I See, In An Immense Sky, The Crescent Of The Moon, Or The Sun. There, In My Pictures, Tiny Forms In Huge Empty Spaces. Empty Spaces, Empty Horizons, Empty Plains - Everything Which Is Bare Has Always Greatly Impressed Me.

I Work Like A Labourer On A Farm Or In A Vineyard. Things Come To Me Slowly. My Vocabulary Of Forms, For Instance, Has Not Been The Discovery Of A Day. It Took Shape In Spite Of Myself... That Is Why I Am Always Working On A Hundred Different Things At The Same Time.

You Can Look At A Picture For A Week And Never Think Of It Again. You Can Also Look At The Picture For A Second And Think Of It All Your Life.

A Modeled Form Is Less Striking Than One Which Is Not. Modeling Prevents Shock And Limits Movement To The Visual Depth. Without Modeling Or Chiaroscuro Depth Is Limitless: Movement Can Stretch To Infinity.

I Feel The Need Of Attaining The Maximum Of Intensity With The Minimum Of Means. It Is This Which Has Led Me To Give My Painting A Character Of Even Greater Bareness.