I Think It Was [jean-luc] Godard Who

I'm Still Very Grateful To Digital Cameras In General, But I Didn't Have This Feeling With The Red One.

In My Films, I Try To Give People As Little Information As Possible, Which Is Still Much More Than What They Get In Real Life. I Feel That They Should Be Grateful For The Little Bit Of Information I Give Them.

The Film [close Up] Made Itself, To A Large Extent. The Characters Involved Were Very Real, I Wasn't Directing The Actors So Much As Being Directed By Them. So It Was A Very Particular Film.

I Didn't Just See Myself As A Film Director Here [in Life And Nothing More], But Also As An Observer Of People Who Had Been Condemned To Death.

Cinema Gives You The Opportunity To Be Both A Grandparent And A Grandchild Whereas In Life You Cannot Be Both At The Same Time.