I Spend A Lot Of Time Doing

What I Am Trying To Say Is That It Is Not Without Any Value. The Value Of Copies Is That They Can Direct Us Towards The Original. I Was Recently At The Louvre Museum And I Was Filming People Who Were Viewing The Mona Lisa. I Noticed The Number Of Ordinary People, Astonished, Mouths Agape, Standing Still For Long Stretches Looking At The Work, And I Wondered, "where Does This Come From? Are These People All Art Connoisseurs?" They Are Like Me; Through The Years, We've Seen This Work In Our Schoolbooks Or Art History Books, But When We Stand Before The Original, We Hold Our Breath.

I Think Life Is So Difficult To Catch, It's So Furtive, That A Copy, A Film, Can In No Way Catch It And Represent It.

The Fact Of Having This Very New Context, This Unheard-of Way Of Working, For Me Was Very Pleasant. I Didn't Feel That I Was Working, That I Had Any Kind Of Burden To Wear, To Carry. I Really Was Very Happy And Very Lighthearted During The Whole Process Of Making The Film [certified Copy], Of Shooting It.

Film Is Very Much A Universal And Common Voice, And We Can't Limit It To One Particular Culture.

Despite The Great Advantages Of Digital Video And The Great Ease Of Using The Medium, Still Those Who Use It Have First To Understand The Sensitivities Of How To Best Use The Medium.