In My Opinion The Man Looks At

I Think The Contrast Between These Two In The Professional World Of Cinema Mattered To Me. One Who Has Reached The Ultimate Point Of Being A Star, Who Knows How To Do Everything Very Well, Facing Another Person Who Would Throughout The Making Of The Film Transfer His Anxiety To Both Of Us, To Me And To Juliette, As To Whether Or Not He Would Be Capable Of Fulfilling His Role. This In Itself Created A Challenge That Was Actually Very Good For Me, Since I Hadn't Ever Counterposed Two Such Performers Before, Creating That Challenge Between Someone Who Knows Their Part And Someone Who Doesn't.

The Film [close Up] Made Itself, To A Large Extent. The Characters Involved Were Very Real, I Wasn't Directing The Actors So Much As Being Directed By Them. So It Was A Very Particular Film.

I Think That In Life, Being Is Nothing But An Illusion. If We Acknowledge That And Accept The Fact That We Are In Between States, That We Are Moving, And This Movement Is The Nature Of Our Lives, And We Stop Having Aspirations For Being In A Definite State, We Know Life Better And Are Able To Enjoy It Better.

I Think Being Someone In Love Is So Hard To Define, So Temporary, Because Retrospectively We Often Deny The State In Which We Were In Love.

My Car's My Best Friend. My Office. My Home. My Location. I Have A Very Intimate Sense When I Am In A Car With Someone Next To Me. We're In The Most Comfortable Seats Because We're Not Facing Each Other, But Sitting Side By Side. We Don't Look At Each Other, But Instead Do So Only When We Want To. We're Allowed To Look Around Without Appearing Rude. We Have A Big Screen In Front Of Us And Side Views. Silence Doesn't Seem Heavy Or Difficult. Nobody Serves Anybody. And Many Other Aspects. One Most Important Thing Is That It Transports Us From One Place To Another.