I Saw A Sunset In Queretaro That

A Writer, Or Any Man, Must Believe That Whatever Happens To Him Is An Instrument; Everything Has Been Given For An End. This Is Even Stronger In The Case Of The Artist. Everything That Happens, Including Humiliations, Embarrassments, Misfortunes, All Has Been Given Like Clay, Like Material For One's Art. One Must Accept It.

Censorship Is The Mother Of Metaphor.

I Think That The Reader Should Enrich What He Is Reading. He Should Misunderstand The Text; He Should Change It Into Something Else.

Dictatorships Foster Oppression, Dictatorships Foster Servitude, Dictatorships Foster Cruelty; More Abominable Is The Fact That They Foster Idiocy.

The Gods Weave Misfortunes For Men, So That The Generations To Come Will Have Something To Sing About.” Mallarmé Repeats, Less Beautifully, What Homer Said; “tout Aboutit En Un Livre,” Everything Ends Up In A Book. The Greeks Speak Of Generations That Will Sing; Mallarmé Speaks Of An Object, Of A Thing Among Things, A Book. But The Idea Is The Same; The Idea That We Are Made For Art, We Are Made For Memory, We Are Made For Poetry, Or Perhaps We Are Made For Oblivion. But Something Remains, And That Something Is History Or Poetry, Which Are Not Essentially Different.