Your Unforgivable Sins Do Not Allow You

The Web Of Time - The Strands Of Which Approach One Another, Bifurcate, Intersect, Or Ignore Each Other Through The Centuries - Embraces "every" Possibility. We Do Not Exist In Most Of Them. In Some You Exist And Not I, While In Others I Do, And You Do Not, And In Yet Others Both Of Us Exist.

In Vain Have Oceans Been Squandered On You, In Vain The Sun, Wonderfully Seen Through Whitman’s Eyes. You Have Used Up The Years And They Have Used Up You, And Still, And Still, You Have Not Written The Poem.

A Writer, Or Any Man, Must Believe That Whatever Happens To Him Is An Instrument; Everything Has Been Given For An End. This Is Even Stronger In The Case Of The Artist. Everything That Happens, Including Humiliations, Embarrassments, Misfortunes, All Has Been Given Like Clay, Like Material For One's Art. One Must Accept It.

I Know Of One Semibarbarous Zone Whose Librarians Repudiate The "vain And Superstitious Habit" Of Trying To Find Sense In Books, Equating Such A Quest With Attempting To Find Meaning In Dreams Or In The Chaotic Lines On The Palms Of One's Hand.

Two Aesthetics Exist: The Passive Aesthetic Of Mirrors And The Active Aesthetic Of Prisms. Guided By The Former, Art Turns Into A Copy Of The Environment's Objectivity Or The Individual's Psychic History. Guided By The Latter, Art Is Redeemed, Makes The World Into Its Instrument, And Forges, Beyond Spatial And Temporal Prisons, A Personal Vision.