I Paint People, Not Because Of What

I Am Only Interested In Painting The Actual Person, In Doing A Painting Of Them, Not In Using Them To Some Ulterior End Of Art. For Me, To Use Someone Doing Something Not Native To Them Would Be Wrong.

The Longer You Look At An Object, The More Abstract It Becomes, And, Ironically, The More Real.

A Painter Must Think Of Everything He Sees As Being There Entirely For His Own Use And Pleasure.

The Painting Is Always Done Very Much With [the Model's] Co-operation. The Problem With Painting A Nude, Of Course, Is That It Deepens The Transaction. You Can Scrap A Painting Of Someone's Face And It Imperils The Sitter's Self-esteem Less Than Scrapping A Painting Of The Whole Naked Body.

I Work From The People That Interest Me, And That I Care About, In Rooms That I Live In And Know. I Use The People To Invent My Pictures, And I Can Work More Freely When They Are There.