Full, Saturated Colours Have An Emotional Significance

The Painting Is Always Done Very Much With [the Model's] Co-operation. The Problem With Painting A Nude, Of Course, Is That It Deepens The Transaction. You Can Scrap A Painting Of Someone's Face And It Imperils The Sitter's Self-esteem Less Than Scrapping A Painting Of The Whole Naked Body.

The Model Should Only Serve The Very Private Function For The Painter Of Providing The Starting Point For His Excitement

I Don't Want Any Colour To Be Noticeable... I Don't Want It To Operate In The Modernist Sense As Colour, Something Independent... Full, Saturated Colours Have An Emotional Significance I Want To Avoid.

Everything Is Autobiographical And Everything Is A Portrait.

When I Look At A Body It Gives Me Choice Of What To Put In A Painting, What Will Suit Me And What Won't. There Is A Distinction Between Fact And Truth. Truth Has An Element Of Revelation About It. If Something Is True, It Does More Than Strike One As Merely Being So.