I Had Long Hair When I Was

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.

Eventually, If You're Experimenting With A Sound That's Unfamiliar, It Gets Absorbed, And Somebody Comes And Does It Better, And It Becomes Part Of A Vocabulary.

Maybe Certain Aspects Of What I Was Doing Were Reacting Against What Was Happening Or What People Said, Too. That's Something That Happens When You're Starting Out. After Some Time Goes By And You Get A Little Perspective, You Realize That You Don't Need To React. You Can Just Carry On With What You're Doing. That Took Me A Long Time Figure Out; I've Only Gotten To That Point In The Last Five Or 10 Years.

I'm Sure The Music Is Going To Come Out. I'm Not Sure If I'm Going To Put Out 12"s Or Put The Songs On My Website. I Just Have To Get Them Done.

I'm More Critical Of My Songwriting Than Anybody, But I've Worked Really Hard In The Last Five To 10 Years To Improve. I Didn't Take It All That Seriously When I Started. It Was A Little Bit Of A Stigma To Being A Songwriter Or A Folkie Back Then. I Did A Lot Of Send-ups Of Sensitive Singer-songwriter Stuff When I Was Starting Out, Which Limited My Development As A Songwriter In A Way. I Wasn't Really Fully Given License To Explore That Until The Mid-90s. I'm Still Working On It; I'm A Little Bit Of A Late Bloomer.