I Am Ridiculously Old-fashioned.

Of Course, Pictures Of Objects Also Have This Transcendental Side To Them. Every Object, Being Part Of An Ultimately Incomprehensible World, Also Embodies That World; When Represented In A Picture, The Object Conveys This Mystery All The More Powerfully, The Less Of A 'function' The Picture Has. Hence, For Instance, The Growing Fascination Of Many Beautiful Old Portraits.

A Student Researching Into My Work Has Actually Traced The Newspapers And Magazines Where I Found Theses Images And Has Found Out That Many Of Them Illustrate A Collection Of Gruesome Stories, Murders And Suicides Which Contrast With The Images Used. There Is A Contrast Between The Message Carried By The Text And That Suppressed By The Illustration.

But It Is Also Untrue That I Have Nothing Specific In Mind. As With My Landscapes: I See Countless Landscapes, Photograph Barely 1 In 100,000, And Paint Barely 1 In 100 Of Those That I Photograph. I Am Therefore Seeking Something Quite Specific; From This I Conclude That I Know What I Want.

Painting Is Another Form Of Thinking.

Experience Has Proved That There Is No Difference Between A So-called Realist Painting - Of A Landscape, For Example - And An Abstract Painting. They Both Have More Or Less The Same Effect On The Observer.