I Am Ridiculously Old-fashioned.

My Method Is Related To An Attempt To Do Something That Might Be Understood By Today's World, Or That Could At Least Provide Understanding. In Other Words, Doing Something I Understand And That Everyone Understands. This Natural Desire For Communication Is Also Found In Other Domains, Like Reading And Discourse, Etc. I Also Hate Repeating Myself; It Gives Me No Pleasure Whatsoever. Once I've Understood Something, I Need To Start Off On New Ground.

... Landscapes Or Still-lifes I Paint In Between The Abstract Works; They Constitute About One-tenth Of My Production. On The One Hand They Are Useful, Because I Like To Work From Nature - Although I Do Use A Photograph - Because I Think That Any Detail From Nature Has A Logic I Would Like To See In Abstraction As Well.

It Is A Danger To Wait Around For An Idea To Occur To You. You Have To Find The Idea.

When I Look Back On The Townscapes Now, They Do Seem To Me To Recall Certain Images Of The Destruction Of Dresden During The War.

The Photograph Is The Most Perfect Picture. It Does Not Change; It Is Absolute, And Therefore Autonomous, Unconditional, Devoid Of Style. Both In Its Way Of Informing, And In What It Informs Of, It Is My Source.