When I Look Back On The Townscapes

What Counts Isn't Being Able To Do A Thing, It's Seeing What It Is. Seeing Is The Decisive Act, And Ultimately It Places The Maker And The Viewer On The Same Level.

... Landscapes Or Still-lifes I Paint In Between The Abstract Works; They Constitute About One-tenth Of My Production. On The One Hand They Are Useful, Because I Like To Work From Nature - Although I Do Use A Photograph - Because I Think That Any Detail From Nature Has A Logic I Would Like To See In Abstraction As Well.

My Method Is Related To An Attempt To Do Something That Might Be Understood By Today's World, Or That Could At Least Provide Understanding. In Other Words, Doing Something I Understand And That Everyone Understands. This Natural Desire For Communication Is Also Found In Other Domains, Like Reading And Discourse, Etc. I Also Hate Repeating Myself; It Gives Me No Pleasure Whatsoever. Once I've Understood Something, I Need To Start Off On New Ground.

The Atlas Belongs To The Lenbachhaus In Munich - It's Long Since Ceased To Belong To Me. Occasionally I Run Across It Somewhere, And I Think It's Interesting Because It Looks Different Each Time.

Only About One Per Cent Of My Paintings Show Family Members. Do They Help Me Deal With Problems? It's Likely That These Problems Can Only Be Depicted. But Photographs, Private Ones And Others, Keep Appearing That Fascinate Me So Much That I Want To Paint Them. And Sometimes The Real Meaning These Images Have For Me Only Becomes Apparent Later.