Hindsight. It's Like Foresight Without A Future.

I've Done A Couple Of Movies For Scale, And It's The Only Way To Get A Lot Of These Independent Movies Made. The Actors Negotiate Deals Where They're Given Just Enough Money To Live On During The Filming, But Then They Participate In The Back-end. If The Movie Suddenly Makes A Gazillion Dollars, We'll Participate In That Profit.

Well, The Whole Trick To Doing An Independent Film, Is To Keep Great Pace And Momentum. You're Shooting Maybe Three Times As Many Scenes In One Day That You Would On A Big, Luxurious Budget On A Luxurious Schedule, And You Try Not To Sacrifice Quality For That. Things Are Just Compressed, But Essentially The Same.

The Technique's Many Benefits For Actors Include Minimized Tension, Centeredness, Vocal Relaxation, And Responsiveness, Mind/body Connection And About An Inch And A Half Of Additional Height.

I Totally Related To Cole Porter's Magnetic Pull To Any Piano That Was In The Room, Which He Was Famous For Doing, As Was Gershwin. You Couldn't Drag Them Away From A Piano.

I've Got The Jewish Guilt And The Irish Shame And It's A Hell Of A Job Distinguishing Which Is Which.