For Me, Acting Was A Way Of

In This Day And Age, Where You Have A Lot Of Comic Book Movies Made Every Day, And Most Of Them Are Really Good Boys, It's Important To Have A Couple Bad Boys Out There, Too.

I Didn't Play The Ghost Rider In The First Movie. That Was A Stuntman. In This Film, The Ghost Rider Feels Much More Alive Because I Did Put Some Thought Into How He Should Walk And Into How He Should Move. I Was So Into The Character, In Fact, That I Would Paint My Face With White And Black Makeup To Look Like A Skull. And I Put On Blacked-out Contact Lenses, So I Almost Looked Like An Afro-new Orleanian Voodoo Icon By The Name Of Baron Samedi. Oh Man, I Would Walk Around The Set Without Saying A Word To Anybody, And I Could See The Fear In My Co-stars' And Co-directors' Eyes.

When You're Playing A Spirit From Another Dimension, You Really Can Do Anything And Get As Abstract As You Want And Still Have A Context That Will Work Within The Movie. I Wanted Ghost Rider To Move In A Way Where It Would Be Like A Bad Dream. I Thought About Cobra Snakes, And The Way That They Will Show You Their Backs And Sway In A Rhythmic Motion And Almost Lull You To Sleep Before Suddenly Attacking. Well, I Put That Into The Movie. And I Decided To Move My Head In The Jerky Way A Praying Mantis Does. So, I Did All These Things To Give The Movie A Feeling Of Otherness.

Disney Has A Great Tradition Of Enchanting Children And Giving Them Something To Behold.

As A Child, These Colourful Superheroes That Could Fly, Or Were Horrifying Like Ghost Rider And The Hulk, With This Tremendous Rage Or These Supernatural Powers, Provided An Escape For Me From My Mundane Existence, From My Lack Of Friends Or My Inability To Communicate Well With People. They Liberated Me.