Animation Is Manipulating The Difference.

Animation Is Not The Art Of Drawings That Move But The Art Of Movements That Are Drawn.

By Drawing Or Exposing Two Or More Patterns On The Same Bit Of Film I Can Create Harmony And Textual Effects.

I Have Tried To Preserve In My Relationship To The Film The Same Closeness And Intimacy That Exists Between A Painter And His Canvas.

Unless It's Done Superbly, As In The Japanese Film Gate Of Hell, Color Can Be A Very Distracting Element.

The Number Of Strokes To The Inch Controls The Pitch Of The Note: The More, The Higher The Pitch; The Fewer, The Lower The Pitch, The Size Of The Stroke Controls The Loudness... The Tone Quality Is The Most Difficult Element To Control, It Is Made By The Shape Of The Strokes.